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Author

 Publisher

The Dramatic Universe, 4 vols.

Vol. 1 The Foundations of Natural Philosophy
Vol. 2 The Foundations of Moral Philosophy
Vol. 3 Man and His Nature
Vol. 4 History

 John G. Bennett  Bennett Books

The Wholeness of Nature - Goethe's Way of Science

Henri Bortoft Lindisfarne Press

The Moon of Hoa Binh (2 vols.)

William Pensinger & Nah Trang Autopoy

Beautiful Painted Arrow
Being and Vibration
The Way of Inspiration

Joseph Rael  

Holism and Evolution

Jan Smuts The Gestalt Journal Press




John Bennett: The Dramatic Universe


Top of Page The reprinting of these four volumes is a major event. 'The Dramatic Universe' represents the fruit of Bennett's life work to render into a whole intelligible scheme the material and inspiration he received primarily from Gurdjieff. He writes modestly in the introduction to the first volume that he regards his magnum opus as nothing more than a series of footnotes to Gurdjieff's own masterpiece 'All and Everything'.

As he worked on this book over the years, his understanding changed. In his first volume, he presents a series of new forms of thought, following the injunction of Ouspensky to 'think in new categories'. These are used to describe the twelve levels of existence, from undifferentiated hyle to the total autocratic universe. He introduces his original work on the six-dimensional geometry, which includes three kinds of time. And he gives us an understanding of his fundamental triad of reality as Function-Being-Will.

The first volume concerns the domain of fact. Moving into value, his second volume tackles 'moral philosophy'. Most of this volume is taken up with his astounding concept of will as the triad. The ideas presented here go back to his work with Ouspensky in the 1930's. Broadening the scope of his concern with new categories, he takes the 'qualitative significance of number' to new heights. If Will is the triad, then Being is the tetrad and Essence the pentad. He presents an original scheme of essence-classes with the pentad, or five-term system, based on Gurdjieff's 'diagram of everything living'.

By the time of the third volume, Bennett has come to see the qualitative significance of number as the key element in his method. In this volume, the method becomes explicit as systematics. He introduces systematics as a way of understanding organised complexity and goes on to apply this method in a variety of areas, including values, anthropology and human society.

This leaves him with the subject of time and history for the fourth volume. By now, he has come to see the concept of the present moment as of critical importance and has begun to glimpse, as he confesses in his introduction, that there is a uniqueness in reality that always escapes the generalities of universal patterns. His theme is 'the war with time'. He takes on an historical perspective that spans the whole of the existence of the planet and ventures into the near future.

He ends with a prophecy of the synergic epoch, in which co-operation will become the key master idea implicitly governing human thought. Epochs of approximately 2500 years mark radical changes in the human mind; but they are not the history of the soul. For the human soul, there is an historical great cycle of some 25,000 years (corresponding to the cycle of rotation of the plane of the ecliptic). In this, he sees the time of Christ as pivotal.

The scope of these volumes is breathtaking. However, Bennett himself felt that his main contribution was to draw attention to the universal significance of hazard. Everything that exists is subject to uncertainty of a kind that renders acts of will meaningful. He also later remarked that almost no one had seen that this was what he was after.

He began this monumental work with the assertion that the old absolutes were 'dead'. His task was then to form a cosmology that would be 'open' and capable of creative exploration without limit. The old mental set has led the majority to consider his work as definitive instead of a point of departure. Whereas nearly all philosophy or teaching obscures itself with beliefs and images, Bennett's work aims for optimum transparency. In place of, or alongside, a mass of words, he presents simple diagrams that make his assumptions clear.

The universe is dramatic because our own acts are significant. So are the acts of any essence-class. Everything 'that lives' has an independent role to play and makes a difference. The existing universe is not a whole but full of 'holes'. If the pentad introduces the reality of the essence-class, the hexad gives us intelligence.




Henri Bortoft: The Wholeness of Nature - Goethe's Way of Science


Top of Page Henri was a student of John Bennett and David Bohm and acknowledges his debt to both. He is one of the few writers to address the problem of understanding wholeness. He argues that wholeness requires a totally different kind of science and that Goethe created this science. Wholeness is relevant when we adopt a 'participative' kind of consciousness instead of the more usual 'observing' kind. Participative consciousness does not mean that we have to abandon reason, only that we have to discover another kind of logic (in a fascinating note he draws on the 'laws of form' of Spencer Brown to bring out the point). In this logic, the concept of 'oneness' is very different from how it appears - simply as a countable unit - in reductionist science.

Henri developed much of his understanding working under David Bohm on the problems of interpreting quantum mechanics. In this book, he concentrates on the idea of 'organic unity'. Much of his illustration comes from the world of biology. He provides rich material to help us shift our concept of unity or oneness towards the realisation that unity of an organic kind always entails diversity. When we begin to study concrete examples of organic unity the whole way in which we understand the universe has to change.

In the final part of the book, he ventures into new ground, following the injunction of William Blake to adopt a 'two-fold vision'. He argues that both forms of perception - the reductionist concerned with separate objects and parts, and the holistic concerned with wholes and diversity in unity - are valid and need to be practised hand in hand.




William Pensinger & Nah Trang: The Moon of Hoa Binh (2 vols.), Autopoy


Top of Page  

This must be one of the most extraordinary novels of the last decades. It is a detective story, an exploration of alternative forms of consciousness, a prolonged thesis on modern art and quantum mechanics, an investigation of sexuality and politics, an account of the failure of American intelligence in the Vietnam war and an exposition of some of the major ideas of John Bennett on time and on what the authors call 'multi-value'. The 100-page bibliography is worth reading on its own!

William (Larry) Pensinger was in American Intelligence and also became a fully realised Japanese landscape gardener. His wife, Nah Trang, was a Professor in Vietnamese literature and folklore. Between them they can cover an enormous amount of ground. The novel, ten years in the writing, includes the most remarkable almost Joycean detail of life in Saigon, that renders the story vividly compelling.

The central thesis of 'multi-value' is a totally original form of similar ideas such as those of Bennett's systematics and David Deutsch's multiverse (see his Fabric of Reality). The idea is that everything has ranges of 'values' that are intrinsic to its existence. This includes the possibility that our own identity has multi-value. The authors spend a great deal of time on the exploration of the multiple alternative identities enfolded on us that we can access through participation in various modes of group consciousness, including those accessible in sexual activity.

For anyone inspired by Gurdjieff and Bennett, by the release of new perceptions that entered the world in the form of modern art at the turn of the century, by the sense that science is being radically challenged to create new understandings (and has still largely failed to even begin to take this on), by the more esoteric significance of sex (remember the intense interest Ouspensky had in this!), etc. this book is essential reading.

(William Pensinger was a major presenter in the Baltimore seminar 'All of Everything' held in February/March 1997.)




Joseph Rael: Beautiful Painted Arrow; Being and Vibration; The Way of Inspiration


Top of Page These three books contain a remarkable series of insight into inspiration. Joseph, though steeped in both the Ute and Pueblo traditions, is an original thinker of high merit. Those who are familiar with the fourth way (and even with systematics) will find many resonances in them and also a completely fresh approach. Of some importance is his casual reference to the teaching of the elders that 'we do not exist'!

Joseph makes extensive use of the meanings carried in the sound- syllables of the Tiwa language and provides detailed and original expositions of Amerindian teaching stories. Of some interest to students of systematics is his interpretation of the first ten integers, particularly in 'The Way of Inspiration'.




Jan Smuts: Holism and Evolution


Top of Page This book was originally published in 1926. It remains one of the best ever written on the idea of holism. John Bennett met and talked with Jan Smuts in the 40's and may well have been inspired to follow a line of thinking that much later emerged as systematics. Smuts' work has been neglected for more than fifty years and few present-day advocates of holism have even heard of this book. Together with Whitehead's Process and Reality, it should count as the most important contribution to our understanding of creative wholeness and evolution.


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